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PARENTGUIDE
PARENTGUIDE

Dance— A Path to Self-Esteem
Exercise with a purpose for tweens and teens.
by Anna Lederfeind

PARENTGUIDE News January 2006

T here are those “peculiar” years, when our bodies and our feelings begin to change. These changes are somewhat like a geometric form, a form with numerous sides: how the outside world really sees us, how we look at ourselves, how we believe the outside world looks at us.

These realities become uncomfortable for tweens and teens. It is generally agreed that at these times, the relationship between adolescents and parents also dramatically alters. The reason seems to be that many of theses changes bring confusion and conflict. Tweens and teens feel removed from the family dynamic and become more isolated and introverted. Life turns into a guessing game.

If we look at it from another perspective, adolescents not only remove themselves physically from others around them but they also remove themselves from their own bodies. The mind/body connection is altered and sometimes broken. Feelings get all tangled up and anxiety rears its ugly head. What is there to do? Tweens and teens often watch TV, argue with everyone at home, wear large clothing, eat more and sleep more. In short, they act in ways to avoid judgments from the outside world, and in turn they often neglect themselves. What could possibly reconnect such adolescents with their bodies and help them regain their childhood spirit, without feeling totally out of control? Dance!

A kick and a turn can bring pride and laughter during this crucial time. Dance teaches how to use the space around us, how to move in that space and how to project our own personality into that space. Growing up is all about carving out space and finding one’s place.

As a dance instructor, I have witnessed the many benefits of dance classes. Dance represents an intensive method of exercise— there’s the physical aspect of the movements, the mental aspect of having to remember the combination of steps and the musical aspect of moving through space at tempo. Separately, it all seems quite easy, but the actual maneuvering of all three aspects together tends to start with a struggle that ends in a significant sense of pride and accomplishment.

In the midst of every dance class session, the mind reconnects with the body and taps into self-esteem. The support of peers, who not only struggle together but accomplish together, helps reinforce an aspiring dancer’s confidence. These feelings bond the tweens/teens to this experience and give them something to talk about at home and at school.

The body is a vehicle of expression. As my students learn to dance, they also learn about themselves. In a time when they would rather shy away or hide, movements and guidance to movements give them a chance to look in the mirror and rediscover their changing bodies. A chance to rediscover themselves with pride, a pride they are eager to share.

We all know that exercise is a necessary element in achieving good health. We all know that good health benefits not just the body but the mind, too.
The beauty of dance is that it satisfies the need for exercise as well as the body, because it is physically demanding and it heals the mind. The beauty of dance is that it allows the body and mind to connect in such a way that self-esteem can emerge, with staying power.

For example, I have been working with a lovely 10 year old (who I shall call Carol), who happens to be a typical girl in her age group. Carol is beautiful, intelligent and dynamic, but, unfortunately, had considered herself as exactly the opposite. She saw this in her eyes as well as the eyes of others.

On the very first day we met, Carol walked into class with her shoulders drooping, staring at the ground and quiet as a mouse. Her lack of self-esteem was larger than life. She began the class somewhat reluctantly. Then, during the dance combination exercise, she began to look around and understand that she was not the only one struggling. Understanding brought her a sense of belonging.

Such understanding represents a critical moment where dance can positively influence the mind to connect to the body. Carol did not think she knew the steps; she did not trust herself. She felt awkward and did not want to look in the mirror. Her body language, however, showed me the opposite. What was missing was that she did not believe in herself to do it on her own. This is a window of opportunity for teacher-student trust building. I stood still and shared my total belief in her, asking that she try to trust herself and that the exercise combination would eventually happen.

Carol took a leap of faith. I could see the tears welling in her eyes and her mouth twisting to one side. She stepped into the center of the floor, surrounded by her peers, and did the combination. After a silent note, Carol smiled. Positive feelings and pride overwhelmed us both. We hugged. Carol has never missed a class since and she doesn’t stare at the floor any longer.

My time with Carol has confirmed my belief that dance can be used as a vehicle to reconnect the mind with the body. From my background as a dancer and teacher, I know that the effect of a good experience in dance class can last forever. Dance challenges the body, along with one’s ability to move with coordination and rhythm, to look and deal positively with realities in the mirror and to find a way to move with poise from one step to another. Steps can be physical and mental, and a continuing topic of conversation with parents. Dance represents an interest both parents and kids can share. Not just an interest in dance but in each other, as positive feelings and accomplishments are usually shared.

I learn from my students as much, if not more, than they do from me. For that, I will always be thankful.


Anna Lederfeind is the director of the Center for Dance and Body as well as the associate director of the American Youth Dance Theater. She trained at The Royal Ballet School, Bejart Belgium, Russian method of Kirov and American Dance Machine, NY, and served as principal soloist for Swan Lake, Dream, Giselle, Sleeping Beauty, Stone Flower and more. To contact Lederfeind, visit www.AmericanYouthDanceTheater.com or call (212)717-5419.

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